Coverart for item
The Resource Beyond the soundtrack : representing music in cinema, edited by Daniel Goldmark, Lawrence Kramer, Richard Leppert

Beyond the soundtrack : representing music in cinema, edited by Daniel Goldmark, Lawrence Kramer, Richard Leppert

Label
Beyond the soundtrack : representing music in cinema
Title
Beyond the soundtrack
Title remainder
representing music in cinema
Statement of responsibility
edited by Daniel Goldmark, Lawrence Kramer, Richard Leppert
Contributor
Subject
Language
eng
Cataloging source
DLC
Dewey number
781.5/42
Government publication
government publication of a state province territory dependency etc
Illustrations
  • illustrations
  • music
  • facsimiles
Index
index present
LC call number
ML2075
LC item number
.B475 2007
Literary form
non fiction
Nature of contents
  • bibliography
  • filmographies
http://library.link/vocab/relatedWorkOrContributorDate
1946-
http://library.link/vocab/relatedWorkOrContributorName
  • Goldmark, Daniel
  • Kramer, Lawrence
  • Leppert, Richard D
http://library.link/vocab/subjectName
Motion picture music
Label
Beyond the soundtrack : representing music in cinema, edited by Daniel Goldmark, Lawrence Kramer, Richard Leppert
Instantiates
Publication
Note
"An Ahmanson foundation book in the humanities"--Cover, p. [4]
Bar code
31223075276890
Bibliography note
Includes bibliographical references (p. 297-309), filmography (p. 311-316), and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Minima romantica
  • Susan McClary
  • Melodic trains : music in Polanksi's The pianist
  • Lawrence Kramer
  • Mute music : Polanski's The pianist and Campion's The piano
  • Michel Chion --
  • Introduction.
  • Phonoplay : recasting film music
  • Musical meaning.
  • The
  • boy on the train, or bad symphonies and good movies : the revealing error of the "symphonic score"
  • Peter Franklin
  • Representing Beethoven : romance and sonata form in Simon Cellan Jones's Eroica
  • Nicholas Cook
  • Claudia Gorbman
  • Transport and transportation in audiovisual memory
  • Berthold Hoeckner
  • The
  • fantastical gap between diegetic and nondiegetic
  • Robynn J. Stilwell --
  • Musical agency.
  • Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo
  • Richard Leppert
  • Sight, sound, and the temporality of myth making in Koyaanisqatsi
  • Mitchell Morris
  • How sound floats on land : the suppression and release of folk and indigenous musics in the cinematic terrain
  • Philip Brophy
  • Auteur music
  • Krin Gabbard
  • Men at the keyboard : liminal spaces and the heterotopian function of music
  • Gary C. Thomas
  • Musical identity.
  • Early film themes : Roxy, Adorno, and the problem of cultural capital
  • Rick Altman
  • Before Willie : reconsidering music and the animated cartoon of the 1920s
  • Daniel Goldmark
  • Side by side : Nino Rota, music, and film
  • Richard Dyer
  • White face, black noise : Miles Davis and the soundtrack
Dimensions
23 cm
Extent
vii, 324 p.
Isbn
9780520250697
Lccn
2006025494
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill., facsims., music
System control number
  • 70839787
  • (OCoLC)70839787
Label
Beyond the soundtrack : representing music in cinema, edited by Daniel Goldmark, Lawrence Kramer, Richard Leppert
Publication
Note
"An Ahmanson foundation book in the humanities"--Cover, p. [4]
Bar code
31223075276890
Bibliography note
Includes bibliographical references (p. 297-309), filmography (p. 311-316), and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Minima romantica
  • Susan McClary
  • Melodic trains : music in Polanksi's The pianist
  • Lawrence Kramer
  • Mute music : Polanski's The pianist and Campion's The piano
  • Michel Chion --
  • Introduction.
  • Phonoplay : recasting film music
  • Musical meaning.
  • The
  • boy on the train, or bad symphonies and good movies : the revealing error of the "symphonic score"
  • Peter Franklin
  • Representing Beethoven : romance and sonata form in Simon Cellan Jones's Eroica
  • Nicholas Cook
  • Claudia Gorbman
  • Transport and transportation in audiovisual memory
  • Berthold Hoeckner
  • The
  • fantastical gap between diegetic and nondiegetic
  • Robynn J. Stilwell --
  • Musical agency.
  • Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo
  • Richard Leppert
  • Sight, sound, and the temporality of myth making in Koyaanisqatsi
  • Mitchell Morris
  • How sound floats on land : the suppression and release of folk and indigenous musics in the cinematic terrain
  • Philip Brophy
  • Auteur music
  • Krin Gabbard
  • Men at the keyboard : liminal spaces and the heterotopian function of music
  • Gary C. Thomas
  • Musical identity.
  • Early film themes : Roxy, Adorno, and the problem of cultural capital
  • Rick Altman
  • Before Willie : reconsidering music and the animated cartoon of the 1920s
  • Daniel Goldmark
  • Side by side : Nino Rota, music, and film
  • Richard Dyer
  • White face, black noise : Miles Davis and the soundtrack
Dimensions
23 cm
Extent
vii, 324 p.
Isbn
9780520250697
Lccn
2006025494
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill., facsims., music
System control number
  • 70839787
  • (OCoLC)70839787

Library Locations

    • Main LibraryBorrow it
      100 Larkin Street, San Francisco, CA, 94102, US
      37.779376 -122.415795
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