The Resource Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed
Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed
Resource Information
The item Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in San Francisco Public Library.This item is available to borrow from 1 library branch.
Resource Information
The item Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in San Francisco Public Library.
This item is available to borrow from 1 library branch.
- Language
- eng
- Extent
- viii, 314 p.
- Contents
-
- Introduction: Heroism and housework: competing ideas of the modern.
- Rooms of one's own: three early domestic environments. Vanessa Bell and 46 Gordon Square (1904-12) ; Roger Fry and Durbins (1909-19) ; Duncan Grant and King's College, Cambridge (1910).
- Sailing to Byzantium: Post-Impressionist primitivism. Greek loves: Mediterranean modernism and the Borough Polytechnic murals (1911) ; Forging a feminist primitivism: Byzantine women by Duncan Grant and Vanessa Bell (1912) ; Country and city: Asheham and Brunswick Square (1911-12).
- On to Omega: the workshops' origins and objects. The origins of the Omega ; A modern Eden (1913-14) ; Abstraction and design (1914-15).
- An aesthetic of conscientious objection: Bloomsbury's wartime environments. Outposts of peace: Eleanor and Wissett (1915-16) ; Making Charleston (1916-17) ; Urban outposts: River House and 46 Gordon Square (1916-19).
- Re-imagining modernism. Public figures' private spaces: King's College, Cambridge and 52 Tavistock Square (1920-24) ; Signifying subculture: Gordon Square Houses and Charleston (1924-28) ; The end of amusing: interiors and commissions (1927-36)
- Isbn
- 9780300102482
- Label
- Bloomsbury rooms : modernism, subculture, and domesticity
- Title
- Bloomsbury rooms
- Title remainder
- modernism, subculture, and domesticity
- Statement of responsibility
- Christopher Reed
- Language
- eng
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1961-
- http://library.link/vocab/creatorName
- Reed, Christopher
- Dewey number
- 747/.09421/09041
- Illustrations
- illustrations
- Index
- index present
- LC call number
- NX543
- LC item number
- .R44 2004
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
- Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture
- http://library.link/vocab/subjectName
-
- Bloomsbury group
- Arts, English
- Artists
- Interior decoration
- Modernism (Aesthetics)
- Interpersonal relations
- Label
- Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed
- Bar code
- 31223066610735
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: Heroism and housework: competing ideas of the modern. -- Rooms of one's own: three early domestic environments. Vanessa Bell and 46 Gordon Square (1904-12) ; Roger Fry and Durbins (1909-19) ; Duncan Grant and King's College, Cambridge (1910). -- Sailing to Byzantium: Post-Impressionist primitivism. Greek loves: Mediterranean modernism and the Borough Polytechnic murals (1911) ; Forging a feminist primitivism: Byzantine women by Duncan Grant and Vanessa Bell (1912) ; Country and city: Asheham and Brunswick Square (1911-12). -- On to Omega: the workshops' origins and objects. The origins of the Omega ; A modern Eden (1913-14) ; Abstraction and design (1914-15). -- An aesthetic of conscientious objection: Bloomsbury's wartime environments. Outposts of peace: Eleanor and Wissett (1915-16) ; Making Charleston (1916-17) ; Urban outposts: River House and 46 Gordon Square (1916-19). -- Re-imagining modernism. Public figures' private spaces: King's College, Cambridge and 52 Tavistock Square (1920-24) ; Signifying subculture: Gordon Square Houses and Charleston (1924-28) ; The end of amusing: interiors and commissions (1927-36)
- Dimensions
- 30 cm
- Extent
- viii, 314 p.
- Isbn
- 9780300102482
- Isbn Type
- (cl : alk. paper)
- Lccn
- 2003024676
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- ill. (chiefly col.)
- System control number
- 53398118
- Label
- Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed
- Bar code
- 31223066610735
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Introduction: Heroism and housework: competing ideas of the modern. -- Rooms of one's own: three early domestic environments. Vanessa Bell and 46 Gordon Square (1904-12) ; Roger Fry and Durbins (1909-19) ; Duncan Grant and King's College, Cambridge (1910). -- Sailing to Byzantium: Post-Impressionist primitivism. Greek loves: Mediterranean modernism and the Borough Polytechnic murals (1911) ; Forging a feminist primitivism: Byzantine women by Duncan Grant and Vanessa Bell (1912) ; Country and city: Asheham and Brunswick Square (1911-12). -- On to Omega: the workshops' origins and objects. The origins of the Omega ; A modern Eden (1913-14) ; Abstraction and design (1914-15). -- An aesthetic of conscientious objection: Bloomsbury's wartime environments. Outposts of peace: Eleanor and Wissett (1915-16) ; Making Charleston (1916-17) ; Urban outposts: River House and 46 Gordon Square (1916-19). -- Re-imagining modernism. Public figures' private spaces: King's College, Cambridge and 52 Tavistock Square (1920-24) ; Signifying subculture: Gordon Square Houses and Charleston (1924-28) ; The end of amusing: interiors and commissions (1927-36)
- Dimensions
- 30 cm
- Extent
- viii, 314 p.
- Isbn
- 9780300102482
- Isbn Type
- (cl : alk. paper)
- Lccn
- 2003024676
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other physical details
- ill. (chiefly col.)
- System control number
- 53398118
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sfpl.org/portal/Bloomsbury-rooms--modernism-subculture-and/wzMoMIbi0Iw/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sfpl.org/portal/Bloomsbury-rooms--modernism-subculture-and/wzMoMIbi0Iw/">Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sfpl.org/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sfpl.org/">San Francisco Public Library</a></span></span></span></span></div>
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sfpl.org/portal/Bloomsbury-rooms--modernism-subculture-and/wzMoMIbi0Iw/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sfpl.org/portal/Bloomsbury-rooms--modernism-subculture-and/wzMoMIbi0Iw/">Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sfpl.org/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.sfpl.org/">San Francisco Public Library</a></span></span></span></span></div>
