Coverart for item
The Resource Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed

Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed

Label
Bloomsbury rooms : modernism, subculture, and domesticity
Title
Bloomsbury rooms
Title remainder
modernism, subculture, and domesticity
Statement of responsibility
Christopher Reed
Creator
Contributor
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1961-
http://library.link/vocab/creatorName
Reed, Christopher
Dewey number
747/.09421/09041
Illustrations
illustrations
Index
index present
LC call number
NX543
LC item number
.R44 2004
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture
http://library.link/vocab/subjectName
  • Bloomsbury group
  • Arts, English
  • Artists
  • Interior decoration
  • Modernism (Aesthetics)
  • Interpersonal relations
Label
Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed
Link
http://www.loc.gov/catdir/toc/ecip0411/2003024676.html
Instantiates
Publication
Bar code
31223066610735
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction: Heroism and housework: competing ideas of the modern. -- Rooms of one's own: three early domestic environments. Vanessa Bell and 46 Gordon Square (1904-12) ; Roger Fry and Durbins (1909-19) ; Duncan Grant and King's College, Cambridge (1910). -- Sailing to Byzantium: Post-Impressionist primitivism. Greek loves: Mediterranean modernism and the Borough Polytechnic murals (1911) ; Forging a feminist primitivism: Byzantine women by Duncan Grant and Vanessa Bell (1912) ; Country and city: Asheham and Brunswick Square (1911-12). -- On to Omega: the workshops' origins and objects. The origins of the Omega ; A modern Eden (1913-14) ; Abstraction and design (1914-15). -- An aesthetic of conscientious objection: Bloomsbury's wartime environments. Outposts of peace: Eleanor and Wissett (1915-16) ; Making Charleston (1916-17) ; Urban outposts: River House and 46 Gordon Square (1916-19). -- Re-imagining modernism. Public figures' private spaces: King's College, Cambridge and 52 Tavistock Square (1920-24) ; Signifying subculture: Gordon Square Houses and Charleston (1924-28) ; The end of amusing: interiors and commissions (1927-36)
Dimensions
30 cm
Extent
viii, 314 p.
Isbn
9780300102482
Isbn Type
(cl : alk. paper)
Lccn
2003024676
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill. (chiefly col.)
System control number
53398118
Label
Bloomsbury rooms : modernism, subculture, and domesticity, Christopher Reed
Link
http://www.loc.gov/catdir/toc/ecip0411/2003024676.html
Publication
Bar code
31223066610735
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction: Heroism and housework: competing ideas of the modern. -- Rooms of one's own: three early domestic environments. Vanessa Bell and 46 Gordon Square (1904-12) ; Roger Fry and Durbins (1909-19) ; Duncan Grant and King's College, Cambridge (1910). -- Sailing to Byzantium: Post-Impressionist primitivism. Greek loves: Mediterranean modernism and the Borough Polytechnic murals (1911) ; Forging a feminist primitivism: Byzantine women by Duncan Grant and Vanessa Bell (1912) ; Country and city: Asheham and Brunswick Square (1911-12). -- On to Omega: the workshops' origins and objects. The origins of the Omega ; A modern Eden (1913-14) ; Abstraction and design (1914-15). -- An aesthetic of conscientious objection: Bloomsbury's wartime environments. Outposts of peace: Eleanor and Wissett (1915-16) ; Making Charleston (1916-17) ; Urban outposts: River House and 46 Gordon Square (1916-19). -- Re-imagining modernism. Public figures' private spaces: King's College, Cambridge and 52 Tavistock Square (1920-24) ; Signifying subculture: Gordon Square Houses and Charleston (1924-28) ; The end of amusing: interiors and commissions (1927-36)
Dimensions
30 cm
Extent
viii, 314 p.
Isbn
9780300102482
Isbn Type
(cl : alk. paper)
Lccn
2003024676
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill. (chiefly col.)
System control number
53398118

Library Locations

    • San Francisco Public LibraryBorrow it
      100 Larkin Street, San Francisco, CA, 94102, US
      37.779376 -122.415795
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