Coverart for item
The Resource How to listen to and understand great music, Robert Greenberg, (sound recording)

How to listen to and understand great music, Robert Greenberg, (sound recording)

Label
How to listen to and understand great music
Title
How to listen to and understand great music
Statement of responsibility
Robert Greenberg
Title variation
Great music
Creator
Contributor
Subject
Genre
Language
eng
Summary
48-lecture music appreciation course which examines the history of Western concert music, beginning with the ancient music of the Greeks and ending with early 20th-century Modernism. Includes selections of musical recordings
Member of
Accompanying matter
  • biography of composer or author
  • historical information
  • instructional materials
Cataloging source
JRK
http://library.link/vocab/creatorDate
1954-
http://library.link/vocab/creatorName
Greenberg, Robert
Dewey number
780.9
Form of composition
not applicable
Format of music
not applicable
LC call number
MT90
LC item number
.G74 2006
Literary text for sound recordings
lectures speeches
Music parts
not applicable
PerformerNote
Lecturer: Robert Greenberg
http://library.link/vocab/relatedWorkOrContributorName
Teaching Company
Series statement
The great courses
http://library.link/vocab/subjectName
  • Music appreciation
  • Music
  • Music
  • Music
  • Music
  • Music
  • Music
  • Music
Transposition and arrangement
not applicable
Label
How to listen to and understand great music, Robert Greenberg, (sound recording)
Instantiates
Publication
Note
  • Accompanying guidebook contains lecture outlines, time lines, biographical notes, glossaries, and bibliography
  • Forty-eight lectures, 45 minutes per lecture
Accompanying material
1 course guidebook (298 p. : ill., music ; 19 cm).
Bar code
  • 31223111822418
  • 31223108649626
Capture and storage technique
unknown
Carrier category
audio disc
Carrier category code
  • sd
Carrier MARC source
rdacarrier
Configuration of playback channels
unknown
Content category
spoken word
Content type code
  • spw
Content type MARC source
rdacontent
Contents
  • Introduction to the Renaissance
  • lecture 5.
  • Renaissance Mass
  • lecture 6.
  • Madrigal
  • lecture 7.
  • Introduction to the Baroque era
  • lecture 8.
  • Style features of Baroque-era music --
  • Part 1.
  • lecture 1.
  • Music as a mirror
  • lecture 2.
  • Sources : the ancient world and the early church
  • lecture 3.
  • Middle Ages
  • lecture 4.
  • Baroque opera, part 2
  • lecture 13.
  • Oratorio
  • lecture 14.
  • Lutheran Church cantata
  • lecture 15.
  • Passacaglia
  • lecture 16.
  • Ritornello form and the Baroque concerto --
  • Part 2.
  • lecture 9.
  • National styles : Italy and Germany
  • lecture 10.
  • Fugue
  • lecture 11.
  • Baroque opera, part 1
  • lecture 12.
  • Classical-era form : minuet and trio : Baroque antecedents
  • lecture 21.
  • Classical-era form : minuet and trio form
  • lecture 22.
  • Classical-era form : rondo form
  • lecture 23.
  • Sonata form, part 1
  • lecture 24.
  • Sonata form, part 2 --
  • Part 3.
  • lecture 17.
  • Enlightenment and an introduction to the Classical era
  • lecture 18.
  • Viennese classical style : homophony and cadence
  • lecture 19.
  • Classical-era form : theme and variations
  • lecture 20.
  • Classical-era opera : the rise of opera buffa
  • lecture 29.
  • Classical-era opera, part 2 : Mozart and the operatic ensemble
  • lecture 30.
  • French Revolution and an introduction to Beethoven
  • lecture 31.
  • Beethoven's Symphony no. 5 in C minor, op. 67, part 1
  • lecture 32.
  • Beethoven's Symphony no. 5 in C minor, op. 67, part 2 --
  • Part 4.
  • lecture 25.
  • Classical-era form : Sonata form, part 3
  • lecture 26.
  • Symphony : music for every person
  • lecture 27.
  • Solo concerto
  • lecture 28.
  • Program symphony : Berlioz's Symphonie fantastique, part 2
  • lecture 37.
  • 19th-century Italian opera : bel canto opera
  • lecture 38.
  • 19th-century Italian opera : Giuseppe Verdi
  • lecture 39.
  • 19th-century opera : nationalism and experimentation
  • lecture 40.
  • 19th-century German opera : Richard Wagner --
  • Part 5.
  • lecture 33.
  • Introduction to Romanticism
  • lecture 34.
  • Formal challenges and solutions in early Romantic music
  • lecture 35.
  • Program symphony : Berlioz's Symphonie fantastique, part 1
  • lecture 36.
  • Russian nationalism
  • lecture 45.
  • Introduction to early 20th-century Modernism
  • lecture 46.
  • Early 20th-century Modernism : Claude Debussy
  • lecture 47.
  • Early 20th-century Modernism : Igor Stravinsky
  • lecture 48.
  • Early 20th-century Modernism : Arnold Schönberg
  • Part 6.
  • lecture 41.
  • Concert overture, part 1
  • lecture 42.
  • Concert overture, part 2
  • lecture 43.
  • Romantic-era musical nationalism
  • lecture 44.
Dimensions
4 3/4 in. +
Dimensions
4 3/4 in. or 12 cm. diameter
Edition
3rd ed.
Extent
48 sound discs
Groove width / pitch
not applicable
Isbn
9781598032697
Isbn Type
(set)
Kind of cutting
unknown
Kind of disc cylinder or tape
mass produced
Kind of material
plastic with metal
Media category
audio
Media MARC source
rdamedia
Media type code
  • s
Other physical details
digital
Publisher number
  • 700
  • IC700A-01
  • IC700A-02
  • IC700A-03
  • IC700A-04
  • IC700A-05
  • IC700A-06
  • PB700A
Special playback characteristics
digital recording
Specific material designation
sound disc
Speed
1.4m. per second (discs)
System control number
(OCoLC)828559976
System details
Compact disc
Tape configuration
not applicable
Tape width
not applicable
Label
How to listen to and understand great music, Robert Greenberg, (sound recording)
Publication
Note
  • Accompanying guidebook contains lecture outlines, time lines, biographical notes, glossaries, and bibliography
  • Forty-eight lectures, 45 minutes per lecture
Accompanying material
1 course guidebook (298 p. : ill., music ; 19 cm).
Bar code
  • 31223111822418
  • 31223108649626
Capture and storage technique
unknown
Carrier category
audio disc
Carrier category code
  • sd
Carrier MARC source
rdacarrier
Configuration of playback channels
unknown
Content category
spoken word
Content type code
  • spw
Content type MARC source
rdacontent
Contents
  • Introduction to the Renaissance
  • lecture 5.
  • Renaissance Mass
  • lecture 6.
  • Madrigal
  • lecture 7.
  • Introduction to the Baroque era
  • lecture 8.
  • Style features of Baroque-era music --
  • Part 1.
  • lecture 1.
  • Music as a mirror
  • lecture 2.
  • Sources : the ancient world and the early church
  • lecture 3.
  • Middle Ages
  • lecture 4.
  • Baroque opera, part 2
  • lecture 13.
  • Oratorio
  • lecture 14.
  • Lutheran Church cantata
  • lecture 15.
  • Passacaglia
  • lecture 16.
  • Ritornello form and the Baroque concerto --
  • Part 2.
  • lecture 9.
  • National styles : Italy and Germany
  • lecture 10.
  • Fugue
  • lecture 11.
  • Baroque opera, part 1
  • lecture 12.
  • Classical-era form : minuet and trio : Baroque antecedents
  • lecture 21.
  • Classical-era form : minuet and trio form
  • lecture 22.
  • Classical-era form : rondo form
  • lecture 23.
  • Sonata form, part 1
  • lecture 24.
  • Sonata form, part 2 --
  • Part 3.
  • lecture 17.
  • Enlightenment and an introduction to the Classical era
  • lecture 18.
  • Viennese classical style : homophony and cadence
  • lecture 19.
  • Classical-era form : theme and variations
  • lecture 20.
  • Classical-era opera : the rise of opera buffa
  • lecture 29.
  • Classical-era opera, part 2 : Mozart and the operatic ensemble
  • lecture 30.
  • French Revolution and an introduction to Beethoven
  • lecture 31.
  • Beethoven's Symphony no. 5 in C minor, op. 67, part 1
  • lecture 32.
  • Beethoven's Symphony no. 5 in C minor, op. 67, part 2 --
  • Part 4.
  • lecture 25.
  • Classical-era form : Sonata form, part 3
  • lecture 26.
  • Symphony : music for every person
  • lecture 27.
  • Solo concerto
  • lecture 28.
  • Program symphony : Berlioz's Symphonie fantastique, part 2
  • lecture 37.
  • 19th-century Italian opera : bel canto opera
  • lecture 38.
  • 19th-century Italian opera : Giuseppe Verdi
  • lecture 39.
  • 19th-century opera : nationalism and experimentation
  • lecture 40.
  • 19th-century German opera : Richard Wagner --
  • Part 5.
  • lecture 33.
  • Introduction to Romanticism
  • lecture 34.
  • Formal challenges and solutions in early Romantic music
  • lecture 35.
  • Program symphony : Berlioz's Symphonie fantastique, part 1
  • lecture 36.
  • Russian nationalism
  • lecture 45.
  • Introduction to early 20th-century Modernism
  • lecture 46.
  • Early 20th-century Modernism : Claude Debussy
  • lecture 47.
  • Early 20th-century Modernism : Igor Stravinsky
  • lecture 48.
  • Early 20th-century Modernism : Arnold Schönberg
  • Part 6.
  • lecture 41.
  • Concert overture, part 1
  • lecture 42.
  • Concert overture, part 2
  • lecture 43.
  • Romantic-era musical nationalism
  • lecture 44.
Dimensions
4 3/4 in. +
Dimensions
4 3/4 in. or 12 cm. diameter
Edition
3rd ed.
Extent
48 sound discs
Groove width / pitch
not applicable
Isbn
9781598032697
Isbn Type
(set)
Kind of cutting
unknown
Kind of disc cylinder or tape
mass produced
Kind of material
plastic with metal
Media category
audio
Media MARC source
rdamedia
Media type code
  • s
Other physical details
digital
Publisher number
  • 700
  • IC700A-01
  • IC700A-02
  • IC700A-03
  • IC700A-04
  • IC700A-05
  • IC700A-06
  • PB700A
Special playback characteristics
digital recording
Specific material designation
sound disc
Speed
1.4m. per second (discs)
System control number
(OCoLC)828559976
System details
Compact disc
Tape configuration
not applicable
Tape width
not applicable

Library Locations

    • Merced LibraryBorrow it
      155 Winston Drive, San Francisco, CA, 94132, US
      37.726735 -122.474482
    • Mission LibraryBorrow it
      300 Bartlett St, San Francisco, CA, 94110, US
      37.751989 -122.419843
Processing Feedback ...