Coverart for item
The Resource Presence and pleasure : the funk grooves of James Brown and Parliament, Anne Danielsen

Presence and pleasure : the funk grooves of James Brown and Parliament, Anne Danielsen

Label
Presence and pleasure : the funk grooves of James Brown and Parliament
Title
Presence and pleasure
Title remainder
the funk grooves of James Brown and Parliament
Statement of responsibility
Anne Danielsen
Creator
Subject
Language
eng
Member of
Biography type
contains biographical information
Cataloging source
DLC
http://library.link/vocab/creatorName
Danielsen, Anne
Dewey number
781.644
Illustrations
  • illustrations
  • music
Index
index present
LC call number
ML3527.8
LC item number
.D36 2006
Literary form
non fiction
Nature of contents
bibliography
Series statement
Music/culture
http://library.link/vocab/subjectName
  • Brown, James
  • Parliament (Musical group)
  • Funk (Music)
  • Popular music
Label
Presence and pleasure : the funk grooves of James Brown and Parliament, Anne Danielsen
Instantiates
Publication
Bar code
  • 31223073618770
  • 31223073618788
Bibliography note
Includes bibliographical references (p. 245-251) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Whose funk? James Brown and Parliament : a short history ; Whose funk? ; Understanding funk : hermeneutic challenges -- Two discourses on blackness. The primitivist representation of black culture ; Black is beautiful! : black music and black struggle ; A common source of otherness? -- A brand new bag : analytical investigations. From songs to grooves -- A fabric of rhythm. On multilinear rhythm ; Virtuality : actuality, figure - gesture ; The heterogenerous sound ideal ; The conversational mode ; On internal beat ; Genre and individuality : the art of signifyin(g) -- Rhythm and counter-rhythm. Simple syncopation or secondary rag? ; A tendency of cross-rhythm ; Limitation, concealment, fragmentation : on the perfectly imperfect balance ; Rhythm and counter-rhythm : a metrical romance -- "The downbeat, in anticipation." Change of density referent ; "Sex machine" ; On and off : on displacement, offbeat phrasing, and the way to treat strong beats ; More on manner : James Brown as vocal percussionist ; Disturbing the internal beat ; The pulse of the rhythm and the pulse of the counter-rhythm ; Ants and downstrokes --
  • A brand(ed) new fad. Social change and the era of crossover ; Hot, hot, hot ...? : James Brown at Polydor ; And beyond : the despiritualization of funk ; The influence of disco -- "Some say it's funk after death." P-Funk as black consolidation ; The rhythm on one ; Extended ambiguity : "the ifs, the ands, and the buts ..." ; The funk riff ; Grounded ambiguity : on the stable unstable ; One nation under a groove! : the gospel of Dr. Funkenstein ; Analytical afterthoughts -- "Once upon a time called now!" : temporalities and experience. The payback ; The state of being in a funk ; The groove mode and the song mode of listening -- Time and again. The dominance of linear temporality ; Eternal present vs. eternal presence : on different nonlinearities ; Repetition vs. repetition ; Repetition with a difference ; Repetition in time ; Repetition as production ; Repetitive production in grooves ; Circularity and the one -- Between song and groove. Groove becoming song ; The dissolution of the hierarchy of sequences ; Song becoming groove ; The pure groove ; Consecration, cut, and a new beginning ; Continuity and breaks ; Groove vs. nonsong -- Feeling, intensity, and the sublimity of the event. Funk (a)live ; The imploding event ; I feel good! : the feeling of feeling ; Give me a break! : intervention and intensity ; "Once upon a time called now!" -- Presence and pleasure. The veiling of musical means ; Externalizing the internal other ; Body vs. time : renaming the internal other?
Dimensions
23 cm.
Extent
xiii, 262 p.
Isbn
9780819568236
Isbn Type
(pbk.)
Lccn
2006010987
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill., music
System control number
  • 67374928
  • (OCoLC)67374928
Label
Presence and pleasure : the funk grooves of James Brown and Parliament, Anne Danielsen
Publication
Bar code
  • 31223073618770
  • 31223073618788
Bibliography note
Includes bibliographical references (p. 245-251) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Whose funk? James Brown and Parliament : a short history ; Whose funk? ; Understanding funk : hermeneutic challenges -- Two discourses on blackness. The primitivist representation of black culture ; Black is beautiful! : black music and black struggle ; A common source of otherness? -- A brand new bag : analytical investigations. From songs to grooves -- A fabric of rhythm. On multilinear rhythm ; Virtuality : actuality, figure - gesture ; The heterogenerous sound ideal ; The conversational mode ; On internal beat ; Genre and individuality : the art of signifyin(g) -- Rhythm and counter-rhythm. Simple syncopation or secondary rag? ; A tendency of cross-rhythm ; Limitation, concealment, fragmentation : on the perfectly imperfect balance ; Rhythm and counter-rhythm : a metrical romance -- "The downbeat, in anticipation." Change of density referent ; "Sex machine" ; On and off : on displacement, offbeat phrasing, and the way to treat strong beats ; More on manner : James Brown as vocal percussionist ; Disturbing the internal beat ; The pulse of the rhythm and the pulse of the counter-rhythm ; Ants and downstrokes --
  • A brand(ed) new fad. Social change and the era of crossover ; Hot, hot, hot ...? : James Brown at Polydor ; And beyond : the despiritualization of funk ; The influence of disco -- "Some say it's funk after death." P-Funk as black consolidation ; The rhythm on one ; Extended ambiguity : "the ifs, the ands, and the buts ..." ; The funk riff ; Grounded ambiguity : on the stable unstable ; One nation under a groove! : the gospel of Dr. Funkenstein ; Analytical afterthoughts -- "Once upon a time called now!" : temporalities and experience. The payback ; The state of being in a funk ; The groove mode and the song mode of listening -- Time and again. The dominance of linear temporality ; Eternal present vs. eternal presence : on different nonlinearities ; Repetition vs. repetition ; Repetition with a difference ; Repetition in time ; Repetition as production ; Repetitive production in grooves ; Circularity and the one -- Between song and groove. Groove becoming song ; The dissolution of the hierarchy of sequences ; Song becoming groove ; The pure groove ; Consecration, cut, and a new beginning ; Continuity and breaks ; Groove vs. nonsong -- Feeling, intensity, and the sublimity of the event. Funk (a)live ; The imploding event ; I feel good! : the feeling of feeling ; Give me a break! : intervention and intensity ; "Once upon a time called now!" -- Presence and pleasure. The veiling of musical means ; Externalizing the internal other ; Body vs. time : renaming the internal other?
Dimensions
23 cm.
Extent
xiii, 262 p.
Isbn
9780819568236
Isbn Type
(pbk.)
Lccn
2006010987
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
ill., music
System control number
  • 67374928
  • (OCoLC)67374928

Library Locations

    • San Francisco Public LibraryBorrow it
      100 Larkin Street, San Francisco, CA, 94102, US
      37.779376 -122.415795