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The Resource The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus

The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus

Label
The Oxford handbook of music and disability studies
Title
The Oxford handbook of music and disability studies
Statement of responsibility
edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
Title variation
Music and disability studies
Contributor
Subject
Language
eng
Member of
Cataloging source
DLC
Dewey number
780.87
Illustrations
  • illustrations
  • music
  • facsimiles
Index
index present
LC call number
ML3916
LC item number
.O96 2016
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1966-
http://library.link/vocab/relatedWorkOrContributorName
  • Howe, Blake
  • Jensen-Moulton, Stephanie
  • Lerner, Neil William
  • Straus, Joseph Nathan
Series statement
Oxford handbooks
http://library.link/vocab/subjectName
  • Musicians with disabilities
  • Disability studies
  • People with disabilities in music
  • Music
Label
The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
Instantiates
Publication
Copyright
Note
"About the companion website": page xix
Bar code
31223118814285
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Imagined hearing : music-making in deaf culture
  • Jeannette DiBernardo Jones
  • Musical expression among deaf and hearing song signers
  • Anabel Maler
  • The politics of sound : music and blindness in France, 1750-1830
  • Ingrid Sykes
  • "They say we exchanged our eyes for the xylophone" : resisting tropes of disability as spiritual deviance in Birifor music
  • Brian Hogan
  • Understanding is seeing : music analysis and blindness
  • Shersten Johnson --
  • Introduction.
  • Disability studies in music, music in disability studies
  • Blake How, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
  • Disability communities.
  • Toward an ethnographic model of disability in the ethnomusicology of autism
  • Michael B. Bakan
  • Music, intellectual disability, and human flourishing
  • Licia Carlson
  • Stephanie Jensen-Moulton
  • Punk rock and disability : cripping subculture
  • George McKay
  • Moving experiences : blindness and the performing self in Imre Ungár's Chopin
  • Stefan Sunandan Honisch
  • Stevie Wonder's tactile keyboard mediation, black key compositional development, and the quest for creative autonomy
  • Will Fulton
  • Oh, the stories we tell! Performer-audience-disability
  • Michael Beckerman
  • The dancing ground : embodied knowledge, disability, and visibility in New Orleans second lines
  • Performing disability.
  • Daniella Santoro --
  • Mechanized bodies : technology and supplements in Björk's electronica
  • Jennifer Iverson
  • Subhuman or superhuman? (Musical) Assistive technology, performance enhancement, and the aesthetic/moral debate
  • Laurie Stras
  • Disabling music performance
  • Blake Howe
  • Musical and bodily difference in Cirque du Soleil
  • Marianne Kielian-Gilbert --
  • Race, gender, sexuality.
  • A cannon-shaped man with an amphibian voice : castrato and disability in eighteenth-century France
  • Hedy Law
  • Sexuality, trauma, and dissociated expression
  • Fred Everett Maus
  • That "weird and wonderful posture" : jump "Jim Crow" and the performance of disability
  • Sean Murray
  • Disabled moves : multidimensional music listening, disturbing/activating differences of identity
  • Jessica A. Schwartz --
  • War and trauma.
  • Disabled Union veterans and the performance of martial begging
  • Michael Accinno
  • "Good bye, old arm" : the domestication of veterans' disabilities in Civil War era popular songs
  • Devin Burke
  • "The absurd disordering of notes" : dysfunctional memory in the post-traumatic music of Ivor Gurney
  • Beth Keyes
  • Vocal ability and musical performances of nuclear damages in the Marshall Islands
  • Blake Howe --
  • Premodern conceptions.
  • Lyrical humor(s) in the "fumeur" songs
  • Julie Singer
  • Difference, disability, and composition in the late Middle Ages : of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze
  • Michael Scott Cuthbert
  • Madness and music as (dis)ability in early modern England
  • Samantha Bassler
  • Saul, David, and music's ideal body
  • James Deaville --
  • The classical tradition.
  • Narratives of affliction and recovery in Haydn
  • Floyd Grave
  • Music and the labyrinth of melancholy : traditions and paradoxes in C.P.E. Bach and Beethoven
  • Elaine Sisman
  • Musical prosthesis : form, expression, and narrative structure in Beethoven's sonata movements
  • Bruce Quaglia
  • Sounds of mind : music and madness in the popular imagination
  • Joseph Straus
  • "Defamiliarizing the familiar" : Michael Nyman, narrative medicine, and the composition of mental blindness
  • Stephanie Jensen-Moulton --
  • Modernism and after.
  • Modernist opera's stigmatized subjects
  • Sherry D. Lee
  • Autism and postwar serialism as neurodiverse forms of cultural modernism
  • Joseph Straus
  • Broken facture : representations of disability in the music of Allan Pettersson
  • Allen Gimbel
  • Representing the extraordinary body : musical modernism's aesthetics of disability
  • Kendra Preston Leonard
  • Hearing a site of masculinity in Franz Waxman's score for Pride of the Marines (1945)
  • Neil Lerner
  • Film and musical theatre.
  • Scene in a new light : monstrous mothers, disabled daughters, and the performance of feminism and disability in The light in the piazza (2005) and Next to normal (2008)
  • Ann M. Fox
  • "Pitiful creature of darkness" : the subhuman and the superhuman in The phantom of the Opera
  • Jessica Sternfeld
  • "Waitin' for the light to shine" : musicals and disability
  • Raymond Knapp
  • Music for Olivier's Richard III : cinematic scoring for the early modern monstrous
Dimensions
26 cm.
Extent
xviii, 928 pages
Isbn
9780199331444
Lccn
2015013132
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations, facsimiles, music
System control number
  • 910309803
  • (OCoLC)910309803
Label
The Oxford handbook of music and disability studies, edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
Publication
Copyright
Note
"About the companion website": page xix
Bar code
31223118814285
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Imagined hearing : music-making in deaf culture
  • Jeannette DiBernardo Jones
  • Musical expression among deaf and hearing song signers
  • Anabel Maler
  • The politics of sound : music and blindness in France, 1750-1830
  • Ingrid Sykes
  • "They say we exchanged our eyes for the xylophone" : resisting tropes of disability as spiritual deviance in Birifor music
  • Brian Hogan
  • Understanding is seeing : music analysis and blindness
  • Shersten Johnson --
  • Introduction.
  • Disability studies in music, music in disability studies
  • Blake How, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus
  • Disability communities.
  • Toward an ethnographic model of disability in the ethnomusicology of autism
  • Michael B. Bakan
  • Music, intellectual disability, and human flourishing
  • Licia Carlson
  • Stephanie Jensen-Moulton
  • Punk rock and disability : cripping subculture
  • George McKay
  • Moving experiences : blindness and the performing self in Imre Ungár's Chopin
  • Stefan Sunandan Honisch
  • Stevie Wonder's tactile keyboard mediation, black key compositional development, and the quest for creative autonomy
  • Will Fulton
  • Oh, the stories we tell! Performer-audience-disability
  • Michael Beckerman
  • The dancing ground : embodied knowledge, disability, and visibility in New Orleans second lines
  • Performing disability.
  • Daniella Santoro --
  • Mechanized bodies : technology and supplements in Björk's electronica
  • Jennifer Iverson
  • Subhuman or superhuman? (Musical) Assistive technology, performance enhancement, and the aesthetic/moral debate
  • Laurie Stras
  • Disabling music performance
  • Blake Howe
  • Musical and bodily difference in Cirque du Soleil
  • Marianne Kielian-Gilbert --
  • Race, gender, sexuality.
  • A cannon-shaped man with an amphibian voice : castrato and disability in eighteenth-century France
  • Hedy Law
  • Sexuality, trauma, and dissociated expression
  • Fred Everett Maus
  • That "weird and wonderful posture" : jump "Jim Crow" and the performance of disability
  • Sean Murray
  • Disabled moves : multidimensional music listening, disturbing/activating differences of identity
  • Jessica A. Schwartz --
  • War and trauma.
  • Disabled Union veterans and the performance of martial begging
  • Michael Accinno
  • "Good bye, old arm" : the domestication of veterans' disabilities in Civil War era popular songs
  • Devin Burke
  • "The absurd disordering of notes" : dysfunctional memory in the post-traumatic music of Ivor Gurney
  • Beth Keyes
  • Vocal ability and musical performances of nuclear damages in the Marshall Islands
  • Blake Howe --
  • Premodern conceptions.
  • Lyrical humor(s) in the "fumeur" songs
  • Julie Singer
  • Difference, disability, and composition in the late Middle Ages : of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze
  • Michael Scott Cuthbert
  • Madness and music as (dis)ability in early modern England
  • Samantha Bassler
  • Saul, David, and music's ideal body
  • James Deaville --
  • The classical tradition.
  • Narratives of affliction and recovery in Haydn
  • Floyd Grave
  • Music and the labyrinth of melancholy : traditions and paradoxes in C.P.E. Bach and Beethoven
  • Elaine Sisman
  • Musical prosthesis : form, expression, and narrative structure in Beethoven's sonata movements
  • Bruce Quaglia
  • Sounds of mind : music and madness in the popular imagination
  • Joseph Straus
  • "Defamiliarizing the familiar" : Michael Nyman, narrative medicine, and the composition of mental blindness
  • Stephanie Jensen-Moulton --
  • Modernism and after.
  • Modernist opera's stigmatized subjects
  • Sherry D. Lee
  • Autism and postwar serialism as neurodiverse forms of cultural modernism
  • Joseph Straus
  • Broken facture : representations of disability in the music of Allan Pettersson
  • Allen Gimbel
  • Representing the extraordinary body : musical modernism's aesthetics of disability
  • Kendra Preston Leonard
  • Hearing a site of masculinity in Franz Waxman's score for Pride of the Marines (1945)
  • Neil Lerner
  • Film and musical theatre.
  • Scene in a new light : monstrous mothers, disabled daughters, and the performance of feminism and disability in The light in the piazza (2005) and Next to normal (2008)
  • Ann M. Fox
  • "Pitiful creature of darkness" : the subhuman and the superhuman in The phantom of the Opera
  • Jessica Sternfeld
  • "Waitin' for the light to shine" : musicals and disability
  • Raymond Knapp
  • Music for Olivier's Richard III : cinematic scoring for the early modern monstrous
Dimensions
26 cm.
Extent
xviii, 928 pages
Isbn
9780199331444
Lccn
2015013132
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations, facsimiles, music
System control number
  • 910309803
  • (OCoLC)910309803

Library Locations

    • Main LibraryBorrow it
      100 Larkin Street, San Francisco, CA, 94102, US
      37.779376 -122.415795
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