Coverart for item
The Resource The music of counterculture cinema : a critical study of 1960s and 1970s soundtracks, Mathew J. Bartkowiak and Yuya Kiuchi

The music of counterculture cinema : a critical study of 1960s and 1970s soundtracks, Mathew J. Bartkowiak and Yuya Kiuchi

Label
The music of counterculture cinema : a critical study of 1960s and 1970s soundtracks
Title
The music of counterculture cinema
Title remainder
a critical study of 1960s and 1970s soundtracks
Statement of responsibility
Mathew J. Bartkowiak and Yuya Kiuchi
Creator
Contributor
Author
Subject
Language
eng
Summary
Films produced in late 1960s and early 1970s America continue to frame our understanding of the counterculture era. The popular and experimental music of the day is central to the counterculture narrative on film, from the utopian Monetery pop (1968) to the disenchantment of Gimme shelter (1970)
Cataloging source
DLC
http://library.link/vocab/creatorName
Bartkowiak, Mathew J
Dewey number
781.5/42097309046
Index
index present
LC call number
ML2075
LC item number
.B35 2015
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
Kiuchi, Yuya
http://library.link/vocab/subjectName
  • Motion picture music
  • Counterculture
  • Motion picture music
  • United States
Label
The music of counterculture cinema : a critical study of 1960s and 1970s soundtracks, Mathew J. Bartkowiak and Yuya Kiuchi
Instantiates
Publication
Copyright
Bar code
31223113358999
Bibliography note
Includes bibliographical references (pages 193-201) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Framing utopia : Monterey pop and the heart of the counterculture -- Creating the downfall : Gimme shelter and the "end" of the counterculture -- Searching fort the real times, baby : Head and the unmaking of the Monkees -- Love in counterculture films : music's diplomatic role in Harold and Maude -- Space is the place : Barbarella and hearing the future -- Did the soundtrack also blow it? : using rock to capture counterculture generational identity -- Setting the escapist scene with music : sex and comedy in an exotic world -- Generational genocide : selling youth rebellion in Roger Corman's Gas-s-s -- African American artists in Hollywood : Isaac Hayes' contribution to Shaft -- I'm watching it for its music : Deep throat and its soundtrack -- Challenging normativity and pushing boundaries : Midnight cowboy and cultural resistance -- Ambiguous meaning of music : combining technology and music in the dystopian world of A clockwork orange -- Understanding country ways : a talk with Country Joe McDonald about counterculture film -- Bringing the 1960s to life : an interview with director Robert Greenwald
Dimensions
23 cm
Extent
viii, 207 pages
Isbn
9780786475421
Isbn Type
(paperback)
Lccn
2015018614
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
System control number
  • 895338257
  • (OCoLC)895338257
Label
The music of counterculture cinema : a critical study of 1960s and 1970s soundtracks, Mathew J. Bartkowiak and Yuya Kiuchi
Publication
Copyright
Bar code
31223113358999
Bibliography note
Includes bibliographical references (pages 193-201) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Framing utopia : Monterey pop and the heart of the counterculture -- Creating the downfall : Gimme shelter and the "end" of the counterculture -- Searching fort the real times, baby : Head and the unmaking of the Monkees -- Love in counterculture films : music's diplomatic role in Harold and Maude -- Space is the place : Barbarella and hearing the future -- Did the soundtrack also blow it? : using rock to capture counterculture generational identity -- Setting the escapist scene with music : sex and comedy in an exotic world -- Generational genocide : selling youth rebellion in Roger Corman's Gas-s-s -- African American artists in Hollywood : Isaac Hayes' contribution to Shaft -- I'm watching it for its music : Deep throat and its soundtrack -- Challenging normativity and pushing boundaries : Midnight cowboy and cultural resistance -- Ambiguous meaning of music : combining technology and music in the dystopian world of A clockwork orange -- Understanding country ways : a talk with Country Joe McDonald about counterculture film -- Bringing the 1960s to life : an interview with director Robert Greenwald
Dimensions
23 cm
Extent
viii, 207 pages
Isbn
9780786475421
Isbn Type
(paperback)
Lccn
2015018614
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
System control number
  • 895338257
  • (OCoLC)895338257

Library Locations

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      37.779376 -122.415795
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