The buck, the Black, and the existential hero : refiguring the Black male literary canon, 1850 to present
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The work The buck, the Black, and the existential hero : refiguring the Black male literary canon, 1850 to present represents a distinct intellectual or artistic creation found in San Francisco Public Library. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
The buck, the Black, and the existential hero : refiguring the Black male literary canon, 1850 to present
Resource Information
The work The buck, the Black, and the existential hero : refiguring the Black male literary canon, 1850 to present represents a distinct intellectual or artistic creation found in San Francisco Public Library. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- The buck, the Black, and the existential hero : refiguring the Black male literary canon, 1850 to present
- Title remainder
- refiguring the Black male literary canon, 1850 to present
- Statement of responsibility
- James B. Haile III
- Subject
-
- African American men in literature
- American literature -- African American authors -- 19th century -- History and criticism
- American literature -- African American authors -- 20th century -- History and criticism
- American literature -- African American authors -- 21st century -- History and criticism
- Language
- eng
- Summary
-
- "The Buck, the Black, and the Existential Hero: Refiguring the Black Male Literary Canon 1850 to Present develops a theory of the black male literary imagination"--
- "The Buck, the Black, and the Existential Hero: Refiguring the Black Male Literary Canon, 1850 to Present combines philosophy, literary theory, and jazz studies with Africana studies to develop a theory of the black male literary imagination. In doing so, it seeks to answer fundamental aesthetic and existential questions: How does the experience of being black and male in the modern West affect the telling of a narrative, the shape or structure of a novel, the development of characters and plot lines, and the nature of criticism itself? James B. Haile argues that, since black male identity is largely fluid and open to interpretation, reinterpretation, and misinterpretation, the literature of black men has developed flexibility and improvisation, termed the "jazz of life." Our reading of this literature requires the same kind of flexibility and improvisation to understand what is being said and why, as well as what is not being said and why. Finally, the book attempts to offer this new reading experience by placing texts by well-known authors, such as Frederick Douglass, Ralph Ellison, and Colson Whitehead, in conversation with texts by those who are less well known and those who have, for the most part, been forgotten, in particular, Cecil Brown. Doing so challenges the reader to visit and revisit these novels with a new perspective about the social, political, historical, and psychic realities of black men." --
- Assigning source
-
- Provided by publisher
- Provided by publisher
- Cataloging source
- IEN/DLC
- Dewey number
- 810.9352996073
- Index
- index present
- LC call number
-
- PS173.N4
- PS173.B53
- LC item number
-
- H36 2020
- H36 2020
- Literary form
- non fiction
- Nature of contents
- bibliography
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