San Francisco Public Library

Surface relations, queer forms of Asian American inscrutability, Vivian L. Huang

eng

Includes bibliographical references and index

illustrations

index present

non fiction

Surface relations

bibliography

1292971145

Vivian L. Huang

queer forms of Asian American inscrutability

"In Surface Relations Vivian L. Huang traces how Asian and Asian American artists have strategically reworked the pernicious stereotype of inscrutability as a dynamic antiracist, feminist, and queer form of resistance. Following inscrutability in literature, visual culture, and performance art since 1965, Huang articulates how Asian American artists take up aesthetics of Asian inscrutability-such as invisibility, silence, unreliability, flatness, and withholding-to express Asian American life. Through analyses of diverse works by performance artists (Tehching Hsieh, Baseera Khan, Emma Sulkowicz, Tseng Kwong Chi), writers (Kim Fu, Kai Cheng Thom, Monique Truong), and video, multimedia, and conceptual artists (Laurel Nakadate, Yoko Ono, Mika Tajima), Huang challenges neoliberal narratives of assimilation that erase Asianness. By using sound, touch, and affect, these artists and writers create new frameworks for affirming Asianness as a source of political and social critique and innovative forms of life and creativity"--, Provided by publisher

Introduction: Inscrutable Surfacing -- Invisibility and the Vanishing Point of Asian/American Visuality -- Silence and Parasitic Hospitality in the Works of Yoko Ono, Laurel Nakadate, and Emma Sulkowicz -- Im/penetrability, Trans Figuration, and Unreliable Surfacing -- Flatness, Industriousness, and Laborious Flexibility -- Distance, Negativity, and Slutty Sociality in Tseng Kwong Chi's Performance Photographs -- Conclusion: Something Is Missing