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The Resource Chaplin at Keystone, Part 4
Chaplin at Keystone, Part 4
Resource Information
The item Chaplin at Keystone, Part 4 represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in San Francisco Public Library.This item is available to borrow from all library branches.
Resource Information
The item Chaplin at Keystone, Part 4 represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in San Francisco Public Library.
This item is available to borrow from all library branches.
- Summary
- Charles Chaplin came to Mack Sennett's Keystone Studios late in 1913 as a little-known British vaudevillian, and after a year, had not only established his Tramp character, learned to write and direct his own films, and also achieved public recognition as a star comedian. Although Keystone did not publicize its performers by name, standees of Chaplin's likeness outside theatres sufficed to attract audiences. Some of the films, especially Tillie's punctured romance, remained in theatrical distribution for decades. The fact that all but one of the Chaplin Keystones exist is due, of course, to the star's enormous subsequent popularity. Most of the original Keystone negatives, however, were simply printed away and the survival of all but a few of these films depends upon a very few original prints, a larger number of reissue prints, and some duped prints from later years. With the support of Association Chaplin (Paris), 35mm full aperture, early-generation materials were gathered over an eight year search on almost all the films from archives and collectors around the world, and were painstakingly pieced together and restored by the British Film Institute National Archive, the Cineteca Bologna and its laboratory L'Immagine Ritrovata in Italy, and Lobster Films in Paris. Most are now clear, sharp and rock-steady, although some reveal that their source prints are well-used and a handful survives only in 16mm. One can now understand Chaplin's meteoric rise, for it is possible for the first time in generations to see clearly what clever and imaginative films he made at Keystone. These editions feature all-new musical settings by outstanding practitioners of silent film accompaniment Eric Beheim, Neil Brand, Antonio Coppola, Frederick Hodges, Stephen Horne, Robert Israel, Rodney Sauer and The Mont Alto Motion Picture Orchestra, Ethan Uslan, and Ken Winokur's band Tillie's Nightmare with the UCLA Film and Television Archive restoration of Tillie's punctured romance
- Language
- eng
- Extent
- 1 online resource (1 video file, approximately 150 min.)
- Note
- Title from title frames
- Label
- Chaplin at Keystone, Part 4
- Title
- Chaplin at Keystone
- Title number
- Part 4
- Language
- eng
- Summary
- Charles Chaplin came to Mack Sennett's Keystone Studios late in 1913 as a little-known British vaudevillian, and after a year, had not only established his Tramp character, learned to write and direct his own films, and also achieved public recognition as a star comedian. Although Keystone did not publicize its performers by name, standees of Chaplin's likeness outside theatres sufficed to attract audiences. Some of the films, especially Tillie's punctured romance, remained in theatrical distribution for decades. The fact that all but one of the Chaplin Keystones exist is due, of course, to the star's enormous subsequent popularity. Most of the original Keystone negatives, however, were simply printed away and the survival of all but a few of these films depends upon a very few original prints, a larger number of reissue prints, and some duped prints from later years. With the support of Association Chaplin (Paris), 35mm full aperture, early-generation materials were gathered over an eight year search on almost all the films from archives and collectors around the world, and were painstakingly pieced together and restored by the British Film Institute National Archive, the Cineteca Bologna and its laboratory L'Immagine Ritrovata in Italy, and Lobster Films in Paris. Most are now clear, sharp and rock-steady, although some reveal that their source prints are well-used and a handful survives only in 16mm. One can now understand Chaplin's meteoric rise, for it is possible for the first time in generations to see clearly what clever and imaginative films he made at Keystone. These editions feature all-new musical settings by outstanding practitioners of silent film accompaniment Eric Beheim, Neil Brand, Antonio Coppola, Frederick Hodges, Stephen Horne, Robert Israel, Rodney Sauer and The Mont Alto Motion Picture Orchestra, Ethan Uslan, and Ken Winokur's band Tillie's Nightmare with the UCLA Film and Television Archive restoration of Tillie's punctured romance
- Cataloging source
- UtOrBLW
- Characteristic
- videorecording
- Date time place
- Originally produced by Flicker Alley in 1914
- http://library.link/vocab/relatedWorkOrContributorDate
-
- 1889-1977
- 1956-
- 1963-
- 1963-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Chaplin, Charlie
- Beheim, Eric
- Brand, Neil
- Coppola, Antonio
- Hodges, Frederick
- Horne, Stephen
- Israel, Robert
- Sauer, Rodney
- Uslan, Ethan
- Winokur, Ken
- Kanopy (Firm)
- Runtime
- 150
- http://library.link/vocab/subjectName
- Silent films
- Technique
- live action
- Label
- Chaplin at Keystone, Part 4
- Note
- Title from title frames
- Antecedent source
- unknown
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Configuration of playback channels
- unknown
- Content category
- two-dimensional moving image
- Content type code
-
- tdi
- Content type MARC source
- rdacontent
- Dimensions
- unknown
- Extent
- 1 online resource (1 video file, approximately 150 min.)
- File format
- unknown
- Form of item
- online
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Medium for sound
- other
- Other physical details
- digital, .flv file, sound
- Publisher number
- 1108113
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- sound
- Sound on medium or separate
- sound on medium
- Specific material designation
-
- other
- remote
- System control number
- (OCoLC)897771458
- System details
- Mode of access: World Wide Web
- Video recording format
- other
- Label
- Chaplin at Keystone, Part 4
- Note
- Title from title frames
- Antecedent source
- unknown
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Configuration of playback channels
- unknown
- Content category
- two-dimensional moving image
- Content type code
-
- tdi
- Content type MARC source
- rdacontent
- Dimensions
- unknown
- Extent
- 1 online resource (1 video file, approximately 150 min.)
- File format
- unknown
- Form of item
- online
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Medium for sound
- other
- Other physical details
- digital, .flv file, sound
- Publisher number
- 1108113
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- sound
- Sound on medium or separate
- sound on medium
- Specific material designation
-
- other
- remote
- System control number
- (OCoLC)897771458
- System details
- Mode of access: World Wide Web
- Video recording format
- other
Library Locations
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Bayview/Linda Brooks-Burton LibraryBorrow it5075 3rd Street, San Francisco, CA, 94124, US37.732534 -122.391121
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Bernal Heights LibraryBorrow it500 Cortland Avenue, San Francisco, CA, 94110, US37.738862 -122.416132
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Bookmobiles / Mobile OutreachBorrow itSan Francisco, CA, US
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Chinatown/Him Mark Lai LibraryBorrow it1135 Powell Street, San Francisco, CA, 94108, US37.795248 -122.410239
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Eureka Valley/Harvey Milk Memorial LibraryBorrow it1 Jose Sarria Court, San Francisco, CA, 94114, US37.764084 -122.431821
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Golden Gate Valley LibraryBorrow it1801 Green Street, San Francisco, CA, 94123, US37.797819 -122.428950
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Noe Valley/Sally Brunn LibraryBorrow it451 Jersey Street, San Francisco, CA, 94114, US37.750180 -122.435116
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North Beach LibraryBorrow it850 Columbus Avenue, San Francisco, CA, 94133, US37.802585 -122.413280
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Presidio LibraryBorrow it3150 Sacramento Street, San Francisco, CA, 94115, US37.788875 -122.444892
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Richmond/Senator Milton Marks LibraryBorrow it351 9th Ave, San Francisco, CA, 94118, US37.781855 -122.468054
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San Francisco Public LibraryBorrow it100 Larkin Street, San Francisco, CA, 94102, US37.779376 -122.415795
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Visitacion Valley LibraryBorrow it201 Leland Avenue, San Francisco, CA, 94134, US37.712695 -122.407913
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sfpl.org/portal/Chaplin-at-Keystone-Part-4/C4heF50MPss/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sfpl.org/portal/Chaplin-at-Keystone-Part-4/C4heF50MPss/">Chaplin at Keystone, Part 4</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sfpl.org/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.sfpl.org/">San Francisco Public Library</a></span></span></span></span></div>
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.sfpl.org/portal/Chaplin-at-Keystone-Part-4/C4heF50MPss/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.sfpl.org/portal/Chaplin-at-Keystone-Part-4/C4heF50MPss/">Chaplin at Keystone, Part 4</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.sfpl.org/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="https://link.sfpl.org/">San Francisco Public Library</a></span></span></span></span></div>