Incoming Resources
- The art of Star Wars, Galaxy's edge, written by Amy Ratcliffe ; foreword by Scott Trowbridge
- Sei la mia vita, Ferzan Ozpetek
- Audrey a Roma, a cura di Ludovica Damiani e Luca Dotti ; con testi di Sciascia Gambaccini
- Fassbinder Thousands of Mirrors
- Ieri, oggi, domani, la mia vita, Sophia Loren
- Freaks, Gleeks, and Dawson's Creek, How Seven Teen Shows Transformed Television
- Contemporary color, producers, David Byrne, Michael Gottwald, Dan Janvey, Josh Penn, Aaron Rosenblum, LeeAnn Rossi ; directed by Bill Ross IV, Turner Ross
- Ho visto partire il tuo treno, Elsa De' Giorgi ; prefazione di Roberto Deidier
- Arcangela Felice Assunta Job Wertmüller von Elgg Español von Brauchich, cioè Lina Wertmüller, Lina Wertmüller
- Paura, Dario Argento ; a cura di Marco Peano
- The quite nice and fairly accurate Good omens script book, Neil Gaiman
- L'isola che non c'è, viaggi nel cinema italiano che non vedremo mai, Gian Piero Brunetta
- GARBO, her life, her films
- How to plan and conduct a bicentennial celebration, Illustrated by Alfred Stern and Ben Edwards
- Beyond the screen, institutions, networks, and publics of early cinema
- Il cinema neorealista italiano, storia economica, politica e culturale, Gian Piero Brunetta
- Guai ai baci, Ottavia Monicelli
- Dressing for the dark, from the silver screen to the red carpet, by Kate Young
- Star Wars, the force awakens, incredible cross-sections, illustrated by Kemp Remillard ; written by Jason Fry
- No somos niños, representaciones problemáticas de la infancia, Catalina Donoso Pinto
- Guillermo del Toro, at home with monsters : inside his films, notebooks, and collections, written by Britt Salvesen and Jim Shedden with Paul Koudounaris, Keith McDonald, and Roger Clark ; edited by Britt Salvesen, Jim Shedden, and Matthew Welch ; original illustrations by Guy Davis
- Monsters in the movies, 100 years of cinematic nightmares, John Landis
- Colors of Film, The Story of Cinema in 50 Palettes
- Reading the silver screen, a film lover's guide to decoding the art form that moves, Thomas C. Foster