Viscera ; Carmen ; Afternoon of a faun ; Tchaikovsky pas de deux
Resource Information
The work Viscera ; Carmen ; Afternoon of a faun ; Tchaikovsky pas de deux represents a distinct intellectual or artistic creation found in San Francisco Public Library. This resource is a combination of several types including: Work, Moving Image, Visual Materials.
The Resource
Viscera ; Carmen ; Afternoon of a faun ; Tchaikovsky pas de deux
Resource Information
The work Viscera ; Carmen ; Afternoon of a faun ; Tchaikovsky pas de deux represents a distinct intellectual or artistic creation found in San Francisco Public Library. This resource is a combination of several types including: Work, Moving Image, Visual Materials.
- Label
- Viscera ; Carmen ; Afternoon of a faun ; Tchaikovsky pas de deux
- Contributor
-
- Nuñez, Marianela
- Acosta, Carlos, 1973-
- Plasson, Emmanuel
- Robbins, Jerome
- Royal Opera House (London, England), Orchestra
- Salenko, Iana
- Royal Opera House (London, England), Chorus
- Scarlett, Liam
- Tchaikovsky, Peter Ilich, 1840-1893
- Royal Ballet
- Yates, Martin, 1958-
- Muntagirov, Vadim
- Bizet, Georges, 1838-1875
- Bonelli, Federico
- Bussell, Darcey
- Debussy, Claude, 1862-1918
- Hirano, Ryoichi, (Dancer)
- Lamb, Sarah
- Liebermann, Lowell
- McRae, Steven
- Morera, Laura
- Balanchine, George
- Summary
- A gorgeous mixed programme from the Royal Ballet with contrasting works by two of the world's greatest choreographers. Jerome Robbins and George Balachine, and two Royal Ballet home-grown talents: Artist in residence Liam Scarlett and principal guest artist Carlos Acosta. Scarlett's sensual and energising Viscera begins the programme. Afternoon of a Faun is Robbin's exquisite response to Debussy's langorous Prélude à l'après-midi d'un faude; Tchaikovsky pas de deux is a bravura showpiece illustrating in miniature Balanchine's neo-classical style; and Acosta's Carmen, in which he also dances Done José in his farewell performance with the Royal Ballet, is a searingly dramatic reinterpretation of a timeless favorite --Container
- Cataloging source
- TDF
- Characteristic
- videorecording
- Credits note
-
- Viscera: choreographer, costume designer, Liam Scarlett ; lighting designer, John Hall ; assistant ballet master, Ricardo Cervera
- Afternoon of a faun: costume designer, Irene Sharaff ; set designer and original lighting designer, Jean Rosenthal ; lighting design re-created by Les Dickert ; staging, Jean-Pierre Frohlich, Jonathan Cope ; ballet master, Jonathan Cope
- Tchaikovsky pas de deux: costume designer, Anthony Dowell ; lighting designer, John B. Read ; staging, Patricia Neary ; ballet master, Christopher Saunders
- Carmen: designer, Tim Hatley ; lighting designer, Peter Mumford ; Ballet master ; Christopher Saunders ; chorus director, Paul Stobart
- PerformerNote
- Viscera: Laura Morera, Marianela Nuñez, Ryoichi Hirano, dancers ; Yuhui Choe, Meaghan Grace Hinkis, Emma Maguire, Alexander Campbell, Valentino Zucchetti, Olivia Cowley, Isabella Gasparini, Tierney Heap, Chisato Katsura, Yasmine Naghdi, Nicol Edmonds, Benjamin Ella, Kevin Emerton, additional dancers ; Robert Clark, solo piano. Afternoon of a faun: Sarah Lamb, Vadim Muntagirov, dancers. Tchaikovsky pas de deux: Iana Salenko, Steven McRae, dancers. Carmen: Marianela Nuñez (Carmen) ; Carlos Acosta (Don José) ; Federico Bonelli (Escamillo) ; Matthew Golding (Fate) ; Thomas Whitehead (Zuniga) ; Valentino Zucchetti (Remendado) ; Tomas Mock (Dancaïre) ; Kristen McNally (Frasquita) ; Lara Turk (Mercedes) ; Fiona Kimm (fortune-teller) ; artists of the Royal Ballet. With the Orchestra of the Royal Opera House ; Royal Opera Extra Chorus (Carmen) ; Martin Yates, conductor (Carmen) ; Emmanuel Plasson, conductor (remainder)
- Runtime
- 134
- Technique
- live action
Context
Context of Viscera ; Carmen ; Afternoon of a faun ; Tchaikovsky pas de deuxWork of
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