The best American short plays, 2018-2019
Resource Information
The work The best American short plays, 2018-2019 represents a distinct intellectual or artistic creation found in San Francisco Public Library. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
The best American short plays, 2018-2019
Resource Information
The work The best American short plays, 2018-2019 represents a distinct intellectual or artistic creation found in San Francisco Public Library. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- The best American short plays, 2018-2019
- Statement of responsibility
- edited with an introduction by John Patrick Bray
- Contributor
-
- McCullough, Mia
- Silverman, Judd Lear
- McNickle, Kato
- Abley, Sean
- Amadio, Liz
- Olivia, Estelle
- Bray, John Patrick
- Chikazunga, Chima
- Skillman, Crystal, 1974-
- Dratwa, Mathilde
- Gill, David Adam
- Poynton, Bella
- Guyton, Daniel
- Yarbrough, John
- Sapio, George
- Hunsbusher, Jake
- King, Laura, (Playwright)
- Sickles, Scott C.
- Marshall, Christopher Raishun
- Skoff, Judah
- Swain, Bara
- Author
-
- Yarbrough, John
- Abley, Sean
- Amadio, Liz
- Chikazunga, Chima
- Dratwa, Mathilde
- Gill, David Adam
- Guyton, Daniel
- Hunsbusher, Jake
- King, Laura, (Playwright)
- Marshall, Christopher Raishun
- McCullough, Mia
- McNickle, Kato
- Olivia, Estelle
- Poynton, Bella
- Sapio, George
- Sickles, Scott C.
- Silverman, Judd Lear
- Skillman, Crystal, 1974-
- Skoff, Judah
- Swain, Bara
- Language
- eng
- Summary
- "Pulitzer Prize winning playwright Paula Vogel once said that theater helps us learn how to be comfortable with being uncomfortable with each other. Revolving around the theme of 'this is who we are,' the one-act plays in this latest edition of the Best American Short Plays series (now in its ninth decade) explore the thoughtful ways in which playwrights are wrestling to make sense of our world today. The selected plays reflect how we perform our identities (private and public) and how we negotiate who we are with others who often have different perspectives, perspectives that make us uncomfortable. The theme of this collection is topical and apt as our country continues to shore up its borders along party lines, from pride parades to strict abortion laws, from inclusivity in education curricula to children in detention centers at the US-Mexico border. Each of the plays presents a clear reflection of who we are (and who we aspire to be) as individuals and as a nation. The styles of the plays also reflect different approaches to storytelling: two characters, four characters, a single setting, multiple settings, or a utopian 'nowhere.' The rich and compelling characters try to work out their differences and overcome obstacles using humor and a sense of magic that comes with simple moments of human connection. This is who we are: people who are grappling with the desire to be understood, the hope to be loved and accepted, and to allow that hope to shape a larger sense of who we could be if we continue to work and listen"--Dust jacket
- Cataloging source
- GZD
- Dewey number
- 812.608
- Index
- no index present
- LC call number
- PN6120.A4
- LC item number
- B44 2018
- Literary form
- dramas
Context
Context of The best American short plays, 2018-2019Work of
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